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Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology. In a survey that begins in the mid-twentieth century, long before the birth of the Internet, this book traces painting's capacity to digest and transform other media, even as its own legitimacy has been questioned. Featuring the work of numerous renowned artists, from Sigmar Polke to Nicole Eisenman and from Cy Twombly to Amy Sillman, the book examines how painting has addressed digital technology as it relates to
human experience and perception, and includes three in-depth
essays and additional texts by influential thinkers from the field.
Comprehensive and lavishly illustrated, the book presents a
wide range of works that reconsider the assumed opposition
of the digital and the analog, the human and the technological,
arguing that painting has served as a means to represent--and
even enact--new media. This book affirms the ongoing vitality
of the medium of painting in the midst of a digital world.
- Sales Rank: #438071 in Books
- Published on: 2016-03-25
- Released on: 2016-03-25
- Original language: English
- Number of items: 1
- Dimensions: 12.20" h x 1.20" w x 9.70" l, .0 pounds
- Binding: Hardcover
- 280 pages
About the Author
David Joselit is Distinguished Professor in the Art History Department of the CUNY Graduate Center and the author of "Infinite Regress: Marcel Duchamp 1910-1941" (MIT Press, 1998) and "American Art Since 1945."
Lynne Cooke has been Curator at Dia Art Foundation since 1991. An art historian and critic, she has published extensively on contemporary art and taught in various institutions. Karen Kelly is Director of Publications at Dia Art Foundation, where she has edited numerous books on contemporary art.
John Kelsey is a journalist, editor, and a writer who specializes in woodworking and woodturning. The author of several woodworkng books, he is a former editor-in-chief for Fine Woodworking magazine and the former editorial director for Fox Chapel Publishing, and is the author of several woodworking books. He is currently the editorial director of the American Association of Woodturners book program and responsible for bringing the thirty-years of shop-tested and expert information from American Journal, the definitive woodturning magazine -- by woodturners for woodturners -- for the world s evergrowing woodturning community.
Wolfram Pichler is assistant professor in the department of art history at the University of Vienna.
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